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Aïcha Liviana Messina: Crystal Skin
Crystal Skin
(S. 201 – 212)

Aïcha Liviana Messina

Crystal Skin

PDF, 12 Seiten

FR

“Crystal Skin” focuses on the relation between mutation and history, two correlated topics that cross Nancy’s work. Its point of departure is the description of contemporary subjectivities which are characterized by a way of evacuating from oneself any trace of alterity, as well as by an extreme fragility. It first asks if the smooth aspect of the skin of some faces, which can be obtained by the technique called “crystal skin,” can be related to an anthropological mutation. In this case, the smooth aspect of the skin would be the sign of the generations that have no relationship to history. It then argues that this smooth aspect of the face, in which the subjectivity seems allogeneic,  speaks rather of the hyper-sensible (crystal-like) subjectivities exposed to the “unknown of the future.” Finally, it proposes a reading of history that is not related to a progress of reason (Kant) but rather to a transformation of sensibility (Freud). Finally, it reflects on the relation between this hyper-sensibility and what Jonas calls the “responsibility for the future.”

  • Poststrukturalismus
  • Demokratie
  • Ethik
  • Gemeinschaft
  • Dekonstruktion

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Aïcha Liviana Messina

Aïcha Liviana Messina ist Professorin für Philosophie an der Universität Diego Portales. Ihre Forschung konzentriert sich auf die Themen Recht, Kritik und die Beziehung zwischen Gewalt und Sprache. Sie ist die Autorin eines Buches über Marx, Amour/Argent. Le livre blanc des manuscrits de 1844 (Le portique/La Phocide, 2011), eines Buches zu Levinas, L’anarchie de la paix. Levinas et la philosophie politique (CNRS, 2018), und eines Buches über Blanchot, The Writing of Innocence. Blanchot and the Deconstruction of Christianity (SUNY, 2022). Sie hat auch Bücher von politischer Aktualität, sowie über künstlerische Erfahrungen geschrieben, wie Poser me va si bien (POL, 2005), Feminismo y revolución, gefolgt von Santiago 2019 (Metales Pesados 2020). Zusammen mit Constanza Michelson ist sie die Autorin von Una falla en la lógica del universo (Metales Pesados 2020).
Weitere Texte von Aïcha Liviana Messina bei DIAPHANES
  • Peau de cristal

    In: Susanna Lindberg (Hg.), Artemy Magun (Hg.), Marita Tatari (Hg.), Thinking With—Jean-Luc Nancy

Susanna Lindberg (Hg.), Artemy Magun (Hg.), ...: Thinking With—Jean-Luc Nancy

With this book, we would like to resume the passionate conversation that Jean-Luc Nancy was engaged in throughout his life, with philosophers and artists from all over the world. Now that he has passed away, it is not enough for us to simply reflect on his work: we would like to stay true to the stance to which his thought invites us, in a pluralistic and communal way. Jean-Luc Nancy takes up the old philosophical question of truth as a praxis of a with — understanding truth without any given measure or comparison as an articulation of a with. It is a thinking responsible for the world from within the world, a language that seeks to respond to the ongoing mutation of our civilization.

 

With contributions by Jean-Christophe Bailly, Rodolphe Burger, Marcia Sá Calvacante Schuback, Marcus Coelen, Alexander García Düttmann, Juan-Manuel Garrido, Martta Heikkilä, Erich Hörl, Valentin Husson, Sandrine Israel-Jost, Ian James, Apostolos Lampropoulos, Nidesh Lawtoo, Jérôme Lèbre, Susanna Lindberg, Michael Marder, Artemy Magun, Boyan Manchev, Dieter Mersch, Hélène Nancy, Jean-Luc Nancy, Aïcha Liviana Messina, Ginette Michaud, Helen Petrovsky, Jacob Rogozinski, Philipp Stoellger, Peter Szendy, Georgios Tsagdis, Marita Tatari, Gert-Jan van der Heiden, Aukje van Rooden.

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