Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Sina Dell’Anno
Punk / Philology
Donatien Grau, James Spooner
Afropunk Philology
Johanna Went
I remember (Johanna Went)
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Mengia Tschalaer
Queer Spaces
A. L. Kennedy
What is an Author?
Barbara Basting
Der Algorithmus und ich 7
Claire Fontaine
Towards a Theory of Magic Materialism
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Barbara Basting
Der Algorithmus und ich 6
Jean-Luc Nancy
Nach den Avantgarden
Mehdi Belhaj Kacem
Grabmal für Guy Debord
Axel Dielmann
The Dressmaker
Christian Beetz, Hendrik Rohlf
Katalysatoren der Radikalisierung
Lars von Trier im Gespräch mit Mehdi Belhaj Kacem & Raphaëlle Milone
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Jochen Thermann
L’aide-cuisinier
Zoran Terzić
Politische Transplantate
Michele Pedrazzi
The Next Bit. Hautnah am Körper des Unbekannten
Jean-Luc Nancy
Zah Zuh
Zoran Terzić
Transplants politiques
Maël Renouard
Fragmente eines unendlichen Gedächtnisses
Maël Renouard
Modifications infimes et considérables
Manuel Franquelo
Manuel Franquelo im Gespräch
Nicole Bachmann
Questionnaire Nicole Bachmann
Artur Zmijewski
Gespräch über ‚Glimpse‘
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Mário Gomes
The Poetics of Architecture
Mário Gomes
Poetik der Architektur
Donatien Grau, Pierre Guyotat
Conversation
Peter Ott
The Monotheistic Cell Or Reports from Fiction
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system TRAPPIST-1 beschäftigt, antwortet mir kürzlich einer, als ich anmerke, dass es ohnehin egal sei, auf...
This book told me just what I had to know before I flew. Flying came more easily and I mastered its intricacies as quickly as my ideas come up during...
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.