Barbara Vinken
Geistige Mütter
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Andreas L. Hofbauer
Ersatzkaffeelesen
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Donatien Grau
A Life in Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Sina Dell’Anno
Punk / Philologie
Johanna Went
I remember (Johanna Went)
Felix Stalder
Feedback as Authenticity
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Tom McCarthy
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens
Kai van Eikels
Do in What's Doing, Democracy in!
Malte Fabian Rauch
Where the Negative Holds Court
Mehdi Belhaj Kacem
Tomb for Guy Debord
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Barbara Basting
Der Algorithmus und ich 5
Michael Heitz
Wong Pings "Who’s the Daddy"
Hans Block, Moritz Riesewieck
Was wir nicht sehen
Alexander García Düttmann
Kalte Distanz
Zoran Terzić
Political Transplants
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Barbara Basting
Der Algorithmus und ich 7
Jochen Thermann
The Assistant Chef
Wolfgang Plöger
After This Comes That Before That Comes This
Stephen Barber
Krieg aus Fragmenten: World Versus America
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Dieter Mersch
Digital Criticism
Rolf Bossart, Milo Rau
On Realism
Artur Zmijewski
Gespräch über ‚Glimpse‘
Bruce Bégout
The Man from Venice
Mário Gomes
The Poetics of Architecture
Barbara Basting
Der Algorithmus und ich 2
Barbara Basting
Der Algorithmus und ich 5
The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
L’œuvre d'art n’a pas d’idée, elle est idée
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.