Barbara Vinken
Geistige Mütter
Marie Glassl, Sophie Lewis
Surrogate Abolition
Andreas L. Hofbauer
Ersatzkaffeelesen
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau, James Spooner
Afropunk Philology
Sina Dell’Anno
Punk / Philologie
Zoran Terzić
The Grand Generalization
Felix Stalder
Feedback als Authentitzität
Tom McCarthy
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens
Michael F. Zimmermann
Courbet als Assyrer
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Sandra Frimmel
Ich hasse die Avantgarde
Zoran Terzić
The Tautomaniac
Andreas L. Hofbauer
Joch
Ines Kleesattel
Kunst, junge Mädchen und die ästhetische Freiheit untenrum
Axel Dielmann
Die Schneiderin
Andreas L. Hofbauer
Yoke
Jochen Thermann
The Assistant Chef
Michele Pedrazzi
The Next Bit. Corpo a corpo con l’ignoto
Joseph Morder
Une Trinite de la Memoire
Thomas Huber
Generation of the Lynn Hershman Antibody
Helmut J. Schneider
How Distant Can My Neighbor be?
Dietmar Dath
Your Sprache Never Was
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Marcus Quent
Elapsing Time and Belief in the World
Maël Renouard
Modifications infimes et considérables
Stephen Barber
A War of Fragments: World Versus America
Eric Baudelaire
Abecedarium
Bruce Bégout
L’homme de Venise
Artur Zmijewski
Conversation on “Glimpse”
Aya Momose
Questionnaire Aya Momose
Peter Ott
Die monotheistische Zelle oder Berichte aus der Fiktion
Mário Gomes
Brandsatz & Ästhetik
Andreas Reihse
LISTMANIA: GUANAJUATONOVIEMBRE
Es sei uns gestattet, hier einmal sämtliche Gründe aufzuzählen, warum wir von Schach nichts halten.
1. Es ist ein...
1. Tell the Earth, “I love you. I can’t live without you."
2. At first you may feel embarrassed...
Plörre
Smegma
Ohrwurm
Schlamassel
Kummerspeck
Weltschmerz
Gesöff
Fernweh
Lotterbett
Spelunke
Scharmützel
Donnerwetter
Schabracke
Mumpitz
Spatzenhirn
Lustmolch
Kaschemme
Spinatwachtel
Popanz
Der Post, den ich hiermit teile, hat mich leicht verstört: »Barbara ist Facebook vor 6 Jahren beigetreten«!
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Lärmende Zeitkapseln, rare Bijous, unverzichtbares Sperrgut aller Epochen, Sprachen und Genres.
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.