Andreas L. Hofbauer
Ersatzkaffeelesen
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
Barbara Vinken
Geistige Mütter
Sina Dell’Anno
Punk / Philology
Donatien Grau
Une vie en philologie
Sina Dell’Anno
Punk / Philologie
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau, James Spooner
Afropunk Philology
Mengia Tschalaer
Queere Räume
Marlene Streeruwitz
L'auteur n'est pas l'auteure
Kai van Eikels
Do in What's Doing, Democracy in!
A. L. Kennedy
Was ist ein Autor?
Jean-Luc Nancy
Nach den Avantgarden
Jean-Luc Nancy
Après les avant-gardes
Barbara Basting
Der Algorithmus und ich 6
Barbara Basting
Der Algorithmus und ich 5
Alexander García Düttmann
Cold Distance
Johannes Binotto
Shrewing the Tame
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Michael Heitz, Hendrik Rohlf
Umas Gesicht – Thurmans Stimme
Thomas Huber
Generation of the Lynn Hershman Antibody
Helmut J. Schneider
Wie fern darf der Nächste sein?
Maria Filomena Molder
The Alms of Time
Jean-Luc Nancy
Zah Zuh
Maël Renouard
The Twilight of Classification?
Maël Renouard
Modifications infimes et considérables
Wolfgang Plöger
After This Comes That Before That Comes This
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Barbara Basting
Der Algorithmus und ich 3
Mário Gomes
Poetik der Architektur
Artur Zmijewski
Gespräch über ‚Glimpse‘
Artur Zmijewski
Conversation on “Glimpse”
Bruce Bégout
L’homme de Venise
Alexander García Düttmann
Kann es eine Gesellschaft ohne Feier geben oder Die kritische Frage des Theaters
Peter Ott
The Monotheistic Cell Or Reports from Fiction
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
This book told me just what I had to know before I flew. Flying came more easily and I mastered its intricacies as quickly as my ideas come up during...
Der Post, den ich hiermit teile, hat mich leicht verstört: »Barbara ist Facebook vor 6 Jahren beigetreten«!
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
L’œuvre d'art n’a pas d’idée, elle est idée
Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...
A for Anomie
The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.
Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.
B for Block or Blocked
If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...
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»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.