Barbara Vinken
Geistige Mütter
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Andreas L. Hofbauer
Ersatzkaffeelesen
Marie Glassl, Sophie Lewis
Surrogate Abolition
Emanuele Coccia
Le futur de la littérature
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Donatien Grau, James Spooner
Afropunk Philology
Donatien Grau
Une vie en philologie
A. L. Kennedy
Qu’est-ce qu’un auteur ?
Felix Stalder
Feedback als Authentitzität
Kai van Eikels
Macht kaputt, was Demokratie kaputt macht
Kai van Eikels
Do in What's Doing, Democracy in!
Zoran Terzić
Die Verallgemeinerung des Menschen
Mehdi Belhaj Kacem
Tomb for Guy Debord
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Jean-Luc Nancy
Après les avant-gardes
Mehdi Belhaj Kacem
Grabmal für Guy Debord
Andreas L. Hofbauer
Joch
Barbara Basting
Der Algorithmus und ich 5
Andreas L. Hofbauer
Yoke
Michael Heitz
Wong Pings "Who’s the Daddy"
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Jean-Luc Nancy
Zah Zuh
Thomas Huber
Generation of the Lynn Hershman Antibody
Zoran Terzić
Transplants politiques
Joseph Morder
Une Trinite de la Memoire
Dieter Mersch
Digital Criticism
Dietmar Dath
Your Sprache Never Was
Stephen Barber
Futurama Nights, October 1978
Mário Gomes
Poetik der Architektur
Ann Cotten
Dialogs
Jelili Atiku, Damian Christinger
Venedig, Lagos und der Raum dazwischen
Barbara Basting
Der Algorithmus und ich 6
Johanna Went
I remember (Johanna Went)
Marcus Quent
Ohne Halt
1. Tell the Earth, “I love you. I can’t live without you."
2. At first you may feel embarrassed...
Cumulus tuba ;
Cirrus cumulonimbogenitus ;
Wallcloud ;
Bannerwolke ;
Föhnfische ;
mother-of-pearl cloud ;
Altocumulus translucidus ;
Stratocumulus...
1. Ringo Starr
2. Mike D.
3. Roland TR 808
4. Jaki Liebezeit
5. Paul Lovens
6. Anthony Williams
L’œuvre d'art n’a pas d’idée, elle est idée
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
DIAPHANES fragt nach Relikten von Zukunftsvisionen in den Bildräumen der Vergangenheit, nach Spuren und Signaturen eines einst Vorstellbaren und zeitlos Möglichen.
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.