Nutzerkonto

Eric Vandendriessche: Ethnomathematics of String Figure-Making Practices
Ethnomathematics of String Figure-Making Practices
(S. 137 – 150)

Eric Vandendriessche

Ethnomathematics of String Figure-Making Practices

  • Kulturgeschichte
  • Ethnologie
  • Spiel
  • Technikgeschichte
  • Theoriebildung
  • Wissenschaftstheorie

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Eric Vandendriessche

Eric Vandendriessche is a researcher at the French National Center for Scientific Research (Section 38-Anthropology), a mathematician by training, and PhD in Epistemology and History of Science. He is a member of the Centre de recherche et de documentation sur l’Océanie (Aix-Marseille University, CNRS), where he carries out research in Ethnomathematics. His main research interest concerns mathematical practices developed in oral tradition societies. Eric Vandendriessche was the PI of the Encoding and Transmitting Knowledge with a String: a comparative study of the cultural uses of mathematical practices in string figure-making (Oceania, North & South America) research project (2016–21), funded by the French National Research Agency.
Mario Schulze (Hg.), Sarine Waltenspül (Hg.): String Figures
b€ 35,00

Mario Schulze (Hg.), Sarine Waltenspül (Hg.)

String Figures
A Cultural Practice between Art, Anthropology, and Theory

Broschur, 400 Seiten

PDF, 400 Seiten

Stretched between eight fingers and two thumbs, sometimes between teeth and toes, lengths of string make shapes. String figures can do many things: they tell stories, they pass the time, they make the unsayable showable, they connect people. Whatever else they may be, they have often been explored by artists, ethnologists and theorists: as an aesthetic practice, as something to collect, as a non-Western way of thinking.

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.

Looking at ways of playing together on the ruins of our history the publication brings together different threads and seeks to weave connections between world regions and disciplines.

Works by Maya Deren, Harry Smith, Mulkun Wirrpanda, Nasser Mufti, Katrien Vermeire, Caroline Monnet, Toby Christian, Maureen Lander, Andy Warhol and contributions by Paul Basu, Seraina Dür and Jonas Gillmann, Mareile Flitsch, Rainer Hatoum, Ines Kleesattel, Robyn McKenzie, Nasser Mufti, Mario Schulze, Rani Singh, Henry Adam Svec, Éric Vandendriessche, Sarine Waltenspül among others; developed by Mario Schulze and Sarine Waltenspül in collaboration with the Museum Tinguely Basel, Switzerland

Inhalt

  • 7–45

    An Introduction to String Figures between Art, Anthropology, and Theory

    Mario Schulze, Sarine Waltenspül

  • 49–67

    Recollections of the String Figures of Yirrkala

    Robyn McKenzie

  • 69–91

    Exhibiting Colonial Entanglements . String Figures and Material Metaphors

    Paul Basu

  • 93–122

    Who Owns the Films? Who Shows the Films?. A Film of String Figures in a Web of Relationships

    Sarine Waltenspül

  • 123–135

    Ajarorpoq and TseLtse'no. On the Trail of Franz Boas' Cross-Cultural Fascination with Cat's Cradle

    Rainer Hatoum

  • 137–150

    Ethnomathematics of String Figure-Making Practices

    Eric Vandendriessche

  • 151–167

    Hesitant Hands on Similar Loops. Some Reflections on the Embodiedness of String Figures

    Mareile Flitsch

  • 171–189

    Shall We Rather Do String Figures Than Think in Networks?. Donna Haraway's SF Method

    Mario Schulze

  • 191–207

    From Buffalo Skin to Intertwined Snakes. The String Figures of Harry Smith

    Rani Singh

  • 209–221

    The Pliability of Form. Remediation in the String Figure Works of Jean Paul Riopelle and Vera Frenkel

    Henry Adam Svec

  • 223–243

    SF: String Figures as Hexenspiele, "Witches' Games". Mattering Figurations of Relational Aesthetics

    Ines Kleesattel

  • 245–257

    For an Aesthetic of Relating

    Seraina Dür, Jonas Gillmann

  • 305–308

    A Reflection on String Figures and That One Time They Went Viral. On My TikTok Channel

    David Ket'acik Nicolai

  • 309–312

    Powered by Indigenous Life and Grit. On Caroline Monnet's Mobilize

    Adam Piron

  • 313–316

    Strings, Relations, Associations. On Figures from the Upper Rio Negro

    Diana Guzmán Mirigõ, Andrea Scholz

  • 317–320

    A Door to the Imagination. On Andy Warhol's Screen Test: Harry Smith

    Andres Pardey

  • 321–324

    Members on All Continents. On the History of the International String Figure Association since 1994

    Mark Sherman

  • 325–329

    The Disappearance of a Female Ethnographer. On Diana Dreyfus

    Ellen Spielmann

  • 333–340

    Entangling Forms of Knowledge Production. On Vilma Chiara, Harald Schultz, and the String Figures of the Krahô People

    Maria Julia Fernandes Vicentin

  • 341–347

    Reconfiguring the Encyclopaedia Cinematographica. On the E-EC Interfaces

    Moritz Greiner-Petter

  • 349–352

    Connections in Time and Space. On Katrien Vermeire's and Rudolf Haefelfinger's String Figure Films

    Stephan Claassen

  • 353–358

    Te whai waewae a Māui. On Maureen Lander's String Games

    Moya Lawson

  • 359–363

    Multispecies Obscenity. On My Poster Multispecies Cat's Cradle

    Nasser Mufti

  • 365–371

    Cinema and String Figures. On Maya Deren's Witch's Cradle

    Ute Holl

  • 373–378

    Against Immediacy. On Toby Christian's Stringer

    Lynton Talbot