Holger Kuhn

works as postdoctoral researcher at the DFG research training group “Cultures of Critique” at Leuphana University Lüneburg. He is currently working on a book project on “Liquidity: The Cultural Logic of Governmentality in Contemporary Video and Film.” From 2012 to 2016 he worked at the Department of Art History at Leuphana University. Recent publications include a book on the “holy kinship” and the construction of family in early capitalism, Die Heilige Sippe und die Mediengeschichte des Triptychons (Emsdetten and Berlin: Edition Imorde, 2018), and a book on the depiction of merchants in paintings from the sixteenth century, Die leibhaftige Münze. Quentin Massys’ Goldwäger und die altniederländische Malerei (Paderborn: Wilhelm Fink, 2015).
Weitere Texte von Holger Kuhn bei DIAPHANES
  • Kritik
  • Digitale Kultur
  • Digitalisierung
  • Philosophie
  • Ästhetik