Stephen Barber: Film's Ghosts

Stephen Barber

Film's Ghosts
Tatsumi Hijikata's Butoh and the Transmutation of 1960s Japan

Broschur, 248 Seiten

PDF, 248 Seiten

Tokyo during the 1960s was in a state of uproar

Tokyo during the 1960s was in a state of uproar, full of protests, riots, and insurrection. Tatsumi Hijikata – the initiator of the 'Butoh' performance art and the seminal figure in Japan’s experimental arts culture of the 1960s – created his most famous works in the context of that turmoil. Central to Hijikata's vital 1960s work are his many films, from experimental projects undertaken in collaboration with artists, to horror and sex films made for Japan's ailing studios, to his participation in the corporate, state-power spectacle of the Osaka World Expo ’70.

Based on original interviews with Hijikata’s collaborators as well as new research, Film’s Ghosts illuminates Hijikata’s world-renowned, spectral 'Dance of Utter Darkness', Butoh, and explores Hijikata's films directly against the backdrop of 1960s urban culture in Tokyo, with the rise of its screen-constellated mega-towers, its fierce protests and riot-police battles, its ascendant security-guard and surveillance industries, and its experimentations in art, sex and terrorism.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan’s experimental art and its histories.

  • 11–56

    Conjuring Hijikata’s Ghosts in Film: Human Sacrifice and Wargames

  • 57–98

    Motion Photography: Kamaitachi

  • 99–136

    Tokyo’s Transmutation, Hijikata’s Dance

  • 137–172

    Horrors, Deaths, Revolutions

  • 173–234

    1970: Hijikata at Osaka’s World Expo

  • 235–240

    Film and the Dying Dance

  • Darstellende Kunst
  • Performance
  • Japanische Ästhetik
  • Körper
  • Choreographie
  • Tanz
  • Kulturgeschichte
  • Japan

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Stephen Barber

ist Autor von 25 Büchern, darunter sieben Romane. Kürzlich erschienen: White Noise Ballrooms und The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image. Seine Bücher wurden vielfach ausgezeichnet und in diverse Sprachen übersetzt. The Independent newspaper (London) nannte ihn »den gefährlichsten Mann Europas«.