Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Donatien Grau
Une vie en philologie
Sina Dell’Anno
Punk / Philologie
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Claire Fontaine
Towards a Theory of Magic Materialism
A. L. Kennedy
What is an Author?
Mengia Tschalaer
Queere Räume
Kai van Eikels
Do in What's Doing, Democracy in!
Zoran Terzić
The Grand Generalization
Mehdi Belhaj Kacem, Philippe Sollers
Wofür steht der Tod der Avantgarden?
Mehdi Belhaj Kacem
Grabmal für Guy Debord
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Andreas L. Hofbauer
Joch
Barbara Basting
Der Algorithmus und ich 6
Zoran Terzić
Transplants politiques
Barbara Basting
Der Algorithmus und ich 7
Michele Pedrazzi
The Next Bit. Corpo a corpo con l’ignoto
Jean-Luc Nancy
Zah Zuh
Maria Filomena Molder
Die Almosen der Zeit
Manuel Franquelo
An interview with Manuel Franquelo
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Nicole Bachmann
Questionnaire Nicole Bachmann
Manuel Franquelo
Manuel Franquelo im Gespräch
Jurij Pavlovich Annenkov
A Diary of my Encounters
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Rolf Bossart, Milo Rau
Über Realismus
Diane Williams
Bang Bang on the Stair
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
John Donne
Problem IX
The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media
Tyler Coburn
Quaddie
K.A.
Hermal
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
Der Post, den ich hiermit teile, hat mich leicht verstört: »Barbara ist Facebook vor 6 Jahren beigetreten«!
DIAPHANES fragt nach Relikten von Zukunftsvisionen in den Bildräumen der Vergangenheit, nach Spuren und Signaturen eines einst Vorstellbaren und zeitlos Möglichen.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.