Nutzerkonto

Dalida María Benfield, Lukas Brasiski, ...: On Eco-operations and Decoloniality: A Discussion
On Eco-operations and Decoloniality: A Discussion
(S. 315 – 324)

Dalida María Benfield, Lukas Brasiski, J. T. Demos, Fabienne Liptay, Uriel Orlow

On Eco-operations and Decoloniality: A Discussion

PDF, 10 Seiten

  • Globale Ökologie
  • Kooperation
  • Klimawandel
  • Ökologie
  • Künstlerische Praxis

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Dalida María Benfield

Dalida María Benfield, PhD, is an artist, theorist, and cultural organizer who researches and activates feminist and post/decolonial thought, pedagogy, and creative action in the context of global information ebbs and flows. Her work initiates collective processes of knowledge production and autonomous cultural interventions. Digital cinemas and archives, and augmented and virtual realities, are repositioned in her work as ancestral technologies to be transformed by user-producers. She is the co-founder of the Center for Arts, Design, and Social Research (CAD+SR), an international, global majority-focused platform supporting transdisciplinary collaborative inquiry through fellowships, residencies, and publications. Recent publication credits as co-editor include: Affecting Technologies/Machining Intelligences (CAD+SR, 2021) and Urgent Pedagogies, Issue #5: Pluriversality (IASPIS, 2023). Benfield’s award-winning films, videos, and installations have been screened and exhibited internationally since 1989.
Weitere Texte von Dalida María Benfield bei DIAPHANES

J. T. Demos

T. J. Demos is professor of art history and visual culture at University of California, Santa Cruz, and is founder and director of its Center for Creative Ecologies. He writes about contemporary art, global politics, and political ecology and is the author of numerous books, including Decolonizing Nature: Contemporary Art and Political Ecology (Sternberg, 2016), Against the Anthropocene: Visual Culture and Environment Today (Sternberg, 2017), and most recently, Radical Futurisms: Ecologies of Collapse, Chronopolitics, and Justice-to-Come (Sternberg, 2023). He co-edited The Routledge Companion on Contemporary Art, Visual Culture, and Climate Change (2021), was a Getty Research Institute Fellow (Spring 2020), and directed the Mellon-funded Sawyer Seminar research project Beyond the End of the World (2019–2021).
Weitere Texte von J. T. Demos bei DIAPHANES

Fabienne Liptay

Fabienne Liptay ist Professorin für Filmwissenschaft an der Universität Zürich. Sie lehrt und forscht zur Ästhetik, Geschichte und Theorie des Films. In ihren aktuellen Schriften befasst sie sich mit der Bildlichkeit des Films, mit Aspekten von Licht, Kamera und Bildformat, mit ästhetischen Diskursen und kunstwissenschaftlichen Theorien des Films sowie mit dem Verhältnis zwischen Kino und Museum.
Weitere Texte von Fabienne Liptay bei DIAPHANES

Uriel Orlow

ist bildender und schreibender Künstler. Er ist Senior Research Fellow an der University of Westminster, London und lehrt am Royal College of Art, London; HEAD Genf, Zürcher Hochschule der Künste. Medienübergreifende, installative Arbeit mit verschiedenen Bild- und Erzählregimes und Fokus auf historische Nebenschauplätze.

Weitere Texte von Uriel Orlow bei DIAPHANES
Liliana Gómez (Hg.), Fabienne Liptay (Hg.): Eco-operations

Liliana Gómez (Hg.), Fabienne Liptay (Hg.)

Eco-operations

Broschur, 336 Seiten

PDF, 336 Seiten

The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. Eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, Eco-operations instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, Eco-operations explores this field of tension between global and local ecologies, and aims to speculate on where dissonances imply both creative potential and political challenges.

 

With contributions by Dalida María Benfield, Ursula Biemann, Lisa Blackmore, T. J. Demos, Laura Flórez & Lorena García Cely, Sandra ­Frimmel, Alexandra Gelis, Liliana Gómez, ­Fabienne ­Liptay, Ana María Lozano, Uriel Orlow, Dorota Sajewska.

Inhalt