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Punk Philology
DIAPHANES MAGAZINE No. 10
This issue matchmakes an unlikely couple, rhymes skill with kill and junk with spunk, spells Dolls, Pistols, Clash in Greek and Latin, invites retrospection and opens up future prospects in textscapes and noisy proclamations.
What can still be read in past provocations? What freedom forces meaning into text? Why is philology not an island holding off the barbarians, while punk meant using rotten wood dust as tinder? Don’t we live simultaneously in punk’s agenda of political intersectionality and the philological consideration...
Magazin Online
Sammelband
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (Hg.), Burkhard Meltzer (Hg.), Tido von Oppeln (Hg.)
Ausstellen
Sammelband
Zu einer Poetik des Seriellen
Elisabeth Bronfen (Hg.), Christiane Frey (Hg.), David Martyn (Hg.)
Noch einmal anders
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To end GOD’S JUDGEMENT
Antonin Artaud, Stephen Barber (Hg.)
Radio Works: 1946–48
Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...
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