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Configure::__loadBootstrap() - CORE/cake/libs/configure.php, line 436
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include - CORE/cake/bootstrap.php, line 38
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Cache::_buildEngine() - CORE/cake/libs/cache.php, line 168
Cache::config() - CORE/cake/libs/cache.php, line 141
Configure::__loadBootstrap() - CORE/cake/libs/configure.php, line 436
Configure::getInstance() - CORE/cake/libs/configure.php, line 52
include - CORE/cake/bootstrap.php, line 38
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FileEngine::gc() - CORE/cake/libs/cache/file.php, line 104
Cache::_buildEngine() - CORE/cake/libs/cache.php, line 168
Cache::config() - CORE/cake/libs/cache.php, line 141
Configure::__loadBootstrap() - CORE/cake/libs/configure.php, line 436
Configure::getInstance() - CORE/cake/libs/configure.php, line 52
include - CORE/cake/bootstrap.php, line 38
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FileEngine::gc() - CORE/cake/libs/cache/file.php, line 104
Cache::_buildEngine() - CORE/cake/libs/cache.php, line 168
Cache::config() - CORE/cake/libs/cache.php, line 141
Configure::__loadBootstrap() - CORE/cake/libs/configure.php, line 436
Configure::getInstance() - CORE/cake/libs/configure.php, line 52
include - CORE/cake/bootstrap.php, line 38
[main] - APP/webroot/index.php, line 109

 

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Meticulous Insanity
(S. 37 – 52)

p€ 9,95

Emily Wardill

Meticulous Insanity

PDF, 16 Seiten

DE

• Identität
• Kapitalismus
• Gegenwartskunst
• Queerness
• Gender
• Queer Theory
• Digitale Kultur
• Politik
• Migration
• Urbanismus

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Emily Wardill

lebt und arbeitet in Lissabon, Portugal. Die Arbeiten der Künstlerin verwischen die Grenzen zwischen Wahrheit und Fiktion, Symbolismus und Realität, Rationalität und Emotion und versetzen so die hierarchischen Strukturen des Wissens in Bewegung. Wardills Arbeiten wurden unter anderem in der Serpentine Gallery London (2012), dem Showroom London (2010), der Gallery of Modern Art Glasgow (2011), dem Badischen Kunstverein Karlsruhe (2011), dem MIT List Visual Arts Center in Cambridge/MA (2010) und dem ICA, London (2008) ausgestellt. 2004 zeigte die Künstlerin die Performance The Feast Against Nature in Grizedale (Lake District) am PS1 Contemporary Art Center, New York. 2011 nahm sie an der Biennale in Venedig teil. In jüngerer Zeit wurden ihre Filme unter anderem in der ARTES – Fundação Manuel António da Mota in Porto (2012) und in La Loge, Brüssel (2014) im Rahmen von Einzelausstellungen gezeigt.

Weitere Texte von Emily Wardill bei DIAPHANES

• 

  Akribischer Wahnsinn

  In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Fragile Identitäten

  p€ 9,95
• 

  »Sozialität ist der fundamentalste Teil dessen, was wir sind«. Im Gespräch mit Paul Broks, Stephen Frosh und Emily Wardill

  In: Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.), Fragile Identitäten

  p€ 9,95

p€ 35,00

Kerstin Stakemeier (Hg.), Susanne Witzgall (Hg.)

Fragile Identities

PDF, 242 Seiten

What is the current state of the subject and what about the status of its self-image? In contemporary discourses we encounter more and more “fragile identities,” in artistic works as well as in scientific theories, and those are today much less referring to a critique of the concept of identity, but much rather to the relationship those concepts of identity entertain with the overall precarious state of the subject in current social conditions that are characterized by political upheaval and change.
The book Fragile Identities investigates among other things the chances and also the possible endangerments of such a fragile self and asks for the resurging urgency of a contemporary concept of subjectivity. The publication combines international artistic and scholarly contributions, discussions and project documentations in relation to the second annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.

Inhalt

• 9–12

  Editors’ Preface

  Kerstin Stakemeier, Susanne Witzgall

  pgratis

• 13–20

  Fragile Identities and the Question of Cohabitation – Introduction I

  Susanne Witzgall

  p€ 7,95

• 27–36

  Fragile Identities: The Self between Normality and Pathology ABO

  Stephen Frosh

  p€ 7,95

• 37–52

  Meticulous Insanity

  Emily Wardill

  p€ 9,95

• 53–63

  “Sociality is the most fundamental part of what we are”. In conversation with Paul Broks, Stephen Frosh and Emily Wardill

  Susanne Witzgall

  p€ 9,95

• 64–78

  “I don’t really have an identity other than within a context”. In conversation with Terre Thaemlitz

  Susanne Witzgall

  p€ 9,95

• 79–90

  Intense Proximity: Concerning the Disappearance of Distance ABO

  Okwui Enwezor

  p€ 9,95

• 91–95

  “Fragility is the only thing I really know about me” ABO

  Claire Denis

  p€ 7,95

• 96–101

  Project Class Claire Denis

  p€ 7,95

• 102–106

  Different Accounts

  Sarah Rifky

  p€ 7,95

• 107–116

  “We don't feel fragile, but maybe tomorrow...”. In conversation with Claire Denis, Okwui Enwezor and Sarah Rifky OPEN
  ACCESS

  Susanne Witzgall

  p€ 7,95

• 117–127

  Strangers, Zombies and Disoriented Identity in the Post-Apartheid City ABO

  Gareth A. Jones

  p€ 9,95

• 128–134

  The Guelph-Wellington Rural-Urban Program. A Case Study in Urban Identity Politics

  Miguel Robles-Durán

  p€ 7,95

• 135–143

  Nomadic Subjects OPEN
  ACCESS

  Rosi Braidotti

  p€ 7,95

• 144–158

  “Every human body is an old civilization”. In conversation with Emine Sevgi Özdamar and Christian Kravagna ABO

  Susanne Witzgall

  p€ 9,95

• 159–164

  Project Class Tobias Zielony

  p€ 7,95

• 165–174

  The Production of Subjectivity ABO

  Maurizio Lazzarato

  p€ 7,95

• 175–181

  Munich, 10.01.2014

  Jana Euler

  p€ 7,95

• 182–195

  Expropriation and Uselessness. Fragile Identities OPEN
  ACCESS

  Kerstin Stakemeier

  p€ 9,95

• 196–201

  Rosebud/Raking Light

  James Richards

  p€ 7,95

• 202–214

  The Digital Self and the Subject Under Strain. Artistic Self-Representation and the Quest for a New Concept of Subjectivity OPEN
  ACCESS

  Susanne Witzgall

  p€ 9,95

• 215–228

  Anonymous, Imageboards, Memes: Early 21st Century ePunk OPEN
  ACCESS

  Florian Cramer

  pgratis

• 229–235

  The Authors

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