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How can withdrawal be represented?
Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), ...
On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
How can withdrawal—meaning either that which withdraws itself, or which is being withdrawn—be represented, thus made visible and negotiable? This publication takes this paradox as its starting point, which remains present as a tension throughout. The book aims to draw constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance. Understanding withdrawal as a concept that encompasses both cutting ties and reaffirming relations, the contributions collected here trace the...
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Magazin Online
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Zu einer Poetik des Seriellen
Elisabeth Bronfen (Hg.), Christiane Frey (Hg.), David Martyn (Hg.)
Noch einmal anders
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Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (Hg.), Elena Vogman (Hg.)
The Cube and the Face
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Mama Say Make I Dey Go, She Dey My Back
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Wandering down the Riva S. Biasio I gaze at the superyachts, thronged at the quay, and the African street vendors selling cheap knock-off handbags: poor immigrants trying to make a living contrasted with the absurdly wealthy visiting one of the great gatherings of the globalized art world. This image has become a sort of a cliché, especially during the last edition of the Biennale di Venezia, curated by Okwui Enwezor, with its emphasis on art from the global South and...
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